"There is a sore zone where it hurts, and that is the starting point. The important thing: Júlio
Resende sets out from the very core of Fado. In any case, Amália always stay at the centre. And she sings right from there. In this voiceless concert, in the middle place, at the centre, and rising from the core, there stands the piano. As
a path already exists, there’s room for a move forward. The important thing about Júlio Resende and his piano is that, however starting from the very core, one never come out of it. Which is rare. A move forward, and a long one,without rising one’s feet from what is important."
Gonçalo M. Tavares