• 15-18 MAY 2019

De Doelen Concert and Congress Centre

Kruisplein 30/40
3012 CC Rotterdam


De Doelen - renowned concert hall and established congress centre

De Doelen’s special appeal lies in its dual function as international concert hall and conference centre which ideally fits the Classical:NEXT structure of an expo with conferences and nighttime showcase concerts. This is underscored by the building’s looks: the remarkable 1960’s functionalist architecture of the original concert hall contrasts beautifully with the conference centre’s more dynamic and modern design.

A concert venue with 600 concerts a year, attracting 450.000 visitors, de Doelen is home to one of Europe’s finest orchestra’s, the Rotterdam Philharmonic (chief conductor Yannick Nézet-Séguin). De Doelen plays a stimulating role in the Dutch classical music world by commissioning new works, inviting international artists in residence (f.i. Colin Currie, David Lang, Brett Dean, etc.), programming the best Dutch and international ensembles, and collaborating intensively with local, national and international partners.

De Doelen International Congress Centre is an established meeting place for cultural, corporate and knowledge-based events. The building and the team offers all the facilities and expertise of a state of the art congress venue.



Boomgaardsstraat 71
3012 XA Rotterdam


WORM is a Rotterdam-based artists collective, a venue, shop, cinema and workspace for music, film and new media, with the world as its playground. Transgressing normal segregations between media, they represent the authentic and the unruly, the obsessed and the adventurers. Born under the stars of punk, dada, fluxus, situationism and futurism, WORM has grown to a tenacious organisation that combines the 'do it yourself' mentality of its ancestors with ultra-pragmatism. The output of WORM is film, radio, concerts, performances, web-projects, installations, CDs and a 24/7 webstation. WORM focuses on OpenSource, recycled material, superuse, seriousness and fun.


Photo: (c) Guido Pijper